|
|
No Reservation Music From The
|
 |
| List Price |
: |
CDN$ 15.99 |
| Our Price |
: |
CDN$ 14.99 |
| You Save |
: |
CDN$ 1.00 (6%) |
| |
|
|
| 3 Used |
: | from CDN$ 19.52 |
| 16 New |
: | from CDN$ 14.98 |
| |
|
|
| Availability |
: |
Usually ships in 11 to 13 days |
|
|
 |
|
|
| Editorial Reviews: | | |  | | It's pretty clear, based on its title, that this movie is set in a restaurant, and it's even clearer that it's an Italian restaurant when you look at the soundtrack: Its bread and butter (or pasta and olive oil) is arias from Puccini and Verdi. And big arias they are, too--so well-known that they are opera's versions of chartbusting pop hits: Verdi's "La donna è mobile" from Rigoletto (in a recent rendition by young tenor Joseph Calleja); Puccini's "O mio babbino caro" from Gianni Schicchi and "Un bel dì vedremo" from Madama Butterfly (both sung by Renata Tebaldi). And, of course, Pavarotti serves up a couple of hearty main courses with "Cielo e mar" and "Nessun dorma." The Italian mood is also reflected in contributions from Paolo Conte (his Gypsy-swing and bilingual "Via Con Me") and Michael Bublé's cover of the 1950s Latin pop hit "Sway" (which was popularized in the US by Dean Martin, born Dino Paul Crocetti--does that count as an Italian connection?). The album also includes three instrumental cues: Conrad Pope's "Truffles and Quail," and Philip Glass's low-key "Zoe and Kate Watch Video" and "Zoe Goes to the Restaurant." Liz Phair's "Count on My Love" inexplicably brings up the rear, but hey, it's a pretty great pop song (from Phair's underrated 2005 album Somebody's Miracle), so it's nice to see it get more exposure. --Elisabeth Vincentelli | |
|
|
|
|
Home
View Cart
Bookmark This Page
Contact Us
