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Let It Die
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| Editorial Reviews: | | |  | | Canadian singer Leslie Feist has served as a guest vocalist for Norwegian folkies Kings of Convenience, Toronto power-pop troupe Broken Social Scene and - under the frightening name 'Bitch Lap-Lap' - the hairy female rapper Peaches. But her unruly resume hardly prepares you for the emotionally rich, softy sensual music on her major label debut. Moving from tortured torch songs such as "Lonely Lonely" to pulsating originals like "Mushaboom", it also contains stunning remakes of Ron Sexsmith's "Secret Heart" and the Bee Gees' "Inside and Out," tunes Feist not only makes her own but effectively uses to dissect her romantic desolation. "Don't you wish we could forget that kiss?" she smolders on the title track. Not in this lifetime. --Aidin Vaziri | |
| Custom Reviews: | |
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| | I liked this album more than her next one (the reminder) because it sounded more true to Fiest to me. The reminder has just a touch of commercial that seems too coated, too polished, trying to appeal to sales..? Listening to "Let It Die" on the other hand disarms me.
| | | For people who love Feist, I apoligize. I simply do not think her music lives up to the hype. All her songs seem to teeter on the edge of profound, only to crash back into 'forgettable'. Listening to her music, I am struck by the idea that she dislikes what she does, which is frankly, a little depressing.
| | | First heard "Inside and Out" a couple of years ago, and just recently decided to give "Let It Die" a try, and wow was it ever worth it. I wasn't expecting an album of this calibre. Her covers of "Inside and Out", "Secret Heart", and "Now At Last" are even more enjoyable than the originals. This album isn't all about covers though, Feist can write her own stuff too! Songs like "Mushaboom", "Let It Die", and "One Evening" are just as strong. What an impressive album by a very talented musician, get it if you don't already own it.
| | | If Lesie Feist sounds familiar, it's because of her musical resume -- it ranges from Canadian indie-popsters Broken Social Scene to female rapper Peaches to the Kings of Convenience. That sort of resume also makes one wonder -- what will her solo debut, "Let It Die," sound like?
The answer: Stripped down, sensual pop music, with a touch of jazz and trip-hop around the edges. It kicks off with only the strums of an acoustic guitar, before Feist jumps in like an orphaned torch singer. "Well it's time to begin/as the summer sets in/It's the scene you set for new lovers," she croons.
From there on, Feist doesn't even slow down. She ventures into cheery, catchy pop like "Mushaboom," sensual slow ballads, rippling trippy songs, and smooth torch songs. There's even -- surprisingly -- a cover of the Bee Gees' "Inside And Out," which she gives a funky spin, and a delicately catchy cover of Ron Sexsmith's underrated "Secret Heart."
The flavour of Feist's music isn't the sort that sets off fireworks and sets you raving about how much fun it is. "Let It Die" is the sort of album that is periodically hailed as being the real deal -- no studio tricks, little musical polish, and a reliance on good songwriting and tunes rather than hooks. In other words, pure music.
The star of the music is Feist herself; her vocals are front-and-center, and she proves herself a rare kind of singer. No "American Idol" vocal explosions, no hyperdramatics. Instead, Feist flexes her vocals in all sorts of different ways -- breathy, husky, ethereal and coy, and and moving along with the music in perfect sync.
Not that Feist's good voice doesn't mean that the music isn't also good. Most of the instrumentation is based on piano and acoustic guitar, with snapping fingers, cowbells, a hint of synth and handclaps thrown in. It's very simple, and very pretty, whether trying out catchy pop or traditional-sounding folk. Only a few songs, like the clunky "Lonely Lonely," fail to be captivating.
Leslie Feist moves out of the shadow of the other bands and artists she's worked with, and establishes herself with the beautiful "Let It Die." A rare and good type of pop.
| | | If Lesie Feist sounds familiar, it's because of her musical resume -- it ranges from Canadian indie-popsters Broken Social Scene to female rapper Peaches to the Kings of Convenience. That sort of resume also makes one wonder -- what will her second solo album, "Let It Die," sound like?
The answer: Stripped down, sensual pop music, with a touch of folk, jazz and trip-hop around the edges. It kicks off with only the strums of an acoustic guitar, before Feist jumps in like an orphaned torch singer. "Well it's time to begin/as the summer sets in/It's the scene you set for new lovers," she croons.
From there on, Feist doesn't even slow down. She ventures into cheery, catchy pop like "Mushaboom," sensual slow ballads, rippling trippy songs, and smooth torch songs. There's even -- surprisingly -- a cover of the Bee Gees' "Inside And Out," which she gives a funky spin, and a delicately catchy cover of Ron Sexsmith's underrated "Secret Heart."
The flavour of Feist's music isn't the sort that sets off fireworks and sets you raving about how much fun it is. "Let It Die" is the sort of album that is periodically hailed as being the real deal -- no studio tricks, little musical polish, and a reliance on good songwriting and tunes rather than hooks. In other words, pure music with no gimmicks.
The star of the music is Feist herself; her vocals are front-and-center, and she proves herself a rare kind of singer. There are no "American Idol" vocal explosions, no hyperdramatic wailing. Instead, Feist flexes her vocals in all sorts of different ways -- breathy, husky, ethereal and coy, and and moving along with the music in perfect sync.
Not that Feist's good voice doesn't mean that the music isn't also good. Most of the instrumentation is based on piano and acoustic guitar, with snapping fingers, cowbells, a hint of synth and handclaps thrown in. It's very simple, and very pretty, whether trying out catchy pop or traditional-sounding folk. Only a few songs, like the clunky "Lonely Lonely," fail to be captivating.
Leslie Feist moves out of the shadow of the other bands and artists she's worked with, and establishes herself with the beautiful "Let It Die." A rare and good type of pop music.
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