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Blazing Saddles (30th Anniversary Special Edition)
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| Editorial Reviews: | |  |  | | Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humour is so juvenile and crude that you just have to surrender to it; highlights abound, from Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon |  |  | | This version of the film is part of the Dinner & a Movie video series, based on the cable TV show, and includes commercial breaks as well as recipes. |  |  | | Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon |  |
| Custom Reviews: | |
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|  | Plays like an ennactment of one of those tasteless joke books set to a Western theme. Not for everyone. Even fans of this sort of thing have to be in a certain mood.
| | The funniest western ever made | |
|  | Cleavon Little plays a black railroad worker condemend to death for assaulting his white foreman. At the last minute he is reprieved by the governor who has the devious idea of making him sheriff of Rock Ridge, a town the governor wants destroyed so they can run the railroad through the area, he thinks a black sheriff will finish the town off. When Little arrives in Rock Ridge he is nearly lynched by the outratged inhabitants but manages to outwit them. Safe in the sheriff's office, he finds the town drunk (Gene Wilder) just waking up in the cells, and they strike up a friendship. Together they set about the task of winning over the folk of Rock Ridge ("simple, wholesome, country folk - you know, morons" as Wilder says), and trying to save the town from destruction. This blissfuly funny film is packed with hilarious episodes. There's the wonderful scene where Little, asked to sing a negro song, obliges with 'I get a kick out of you', the scene where he arrives in Rock Ridge, there's Madelein Khan's hilarious Marlene Dietrich impersonation, the wonderful scene where Little and Wilder infiltrate the baddies' gang disguised as Klu Klux Klan members, and my favourite scene of all, the bit where the townsfolk, asked to give some land to the minority groups who are to help them build the fake town, reply "All right, we'll give some land to the niggers and the chinks, but we DON'T want the irish!" The film is utterly delightful, with hilarious performances from all concerned. There's just one thing that I wonder about. Cleavon Little is such a wonderful comic actor, not to mention being drop-dead gorgeous as well, why has so little been seen of him since this film was made? Never mind, if you're only going to be famous for one film, this is a great one to be remembered for.
| | Even the "Making-of" was recycled! | |
|  | | Five stars for the movie itself as well as the presentation. The movie looks and sounds great. BUT--- as noted by many, the "30th Anniversary Edition" supplements are basically a hack job. This is easily one of the most influential comedies of all-time, it deserved to really be given the Special Edition treatment. The "Commentary" is not a traditional commentary at all; not only is it simply the audio from a 55 minute interview with Brooks, it was issued on the previous dvd. This has been mentioned by many reviewers. What hasn't been as well-reported is that even the half-hour retrospective doc has been recycled. The "Back in the Saddle" program, which is admittedly a decent if unspectacular show, was previously issued on the 2001 VHS edition! Basically, this featurette was issued on the 27th Anniversary video cassette release. Yes, this is the first time it has appeared on dvd, but still a rather lazy choice. The "Additional Scenes" are, somewhat annoyingly, not accessible scene-by scene. They play as one approx. 10-minute piece. These scenes were added to the TV broadcast version. It's nice to have them, though most of them are shown in the "Back in the Saddle" featurette. The only other significant supplement is the "Black Bart" pilot episode. This 24-minute show is a real curiousity, a great archival piece even though the show itself is excruciatingly BAD. Still, its interesting viewing, and very easy on the eyes. This show, quite simply, looks amazing! Very well preserved. There are a couple other bits, like the trailer and an excerpt from a Madeline Kahn documentary (only about 4 minutes or so). Really, all things considered, Warner really dropped the ball on the supplementals for this edition. The movie itself looks fantastic and the new 5.1 mix isn't anything special but it sounds better than the old disc. The movie is what really counts, and in that area the presentation can hardly be faulted. But in the end, they didn't actually produce any NEW supplemental material for this set.
| |  | Mel Brooks should have gotten an Oscar for this one.(my theory is Mel knocks racism and won't receive one. I guess knocking racism is a no-no in the movie industry.)This movie wants to make me see all of the movies involving Mel Brooks. The West will never be satired the way Mel has. The scenes, gags puns and having future events fit in (ie-the 1930ish Nazis and the motorcycle gangs)this movie makes it acceptable. Only Mel Brooks should have a patent to do this to HIS movies!
| | BLAZING, FLAMING HILARITY, FARCE & SLAPSTICK! | |
|  | | "Blazing Saddles" has no plot - just pretext. It's that a railroad must come through the town of Rock Ridge and that the residence there must be driven from their land. To this end, the despicable Hedley Lamarr (Harvey Korman) sends in a gang of desperadoes to assassinate the newly appointed sheriff (Cleavon Little). Gene Wilder cuts a hilarious swath as Deputy Jim, the Waco Kid, a dimwitted politico who can't help but muddle himself into one raging fiasco after another. Madeline Kahn as Lili Von Shtupp (a wicked spoof of Marlene Dietrich) is the town madam, whose song "I'm Tired" quite simply has to go down as one of the funniest bits of double entendre ever put on film. Once director, Mel Brooks gets started, logic is lost in a cavalcade of outrageous, wacky/tacky lunacy, so utterly juvenile and crude that one cannot help but willingly surrender to its audacity. There are just too many gags to mention and such a waste to spoil the full breadth of hilarious depravity in this film for the first time viewer. I'll not be the reviewer to ruin the experience of witnessing this masterwork of farce and slapstick. See it now and remember it forever more. Blazing Saddles has been remastered for this 30th Anniversary Edition. While the prior release was marred by age related artifacts and a considerable amount of edge enhancement, this new release seems to have been minted from a pristine camera negative. Colors are rich, vibrant and startlingly three dimensional. Most of the scenes exhibit richness in fidelity that many films of the same vintage wholly lack. Truly, there is nothing to complain about here. Contrast and black levels are bang on. The picture is remarkably solid with limited film grain and NO digital anomalies for a very smooth visual presentation. The audio has been cleaned up and remixed to 5.1 with a very nice - if dated - spread. Extras include two documentaries on the making of the film - one actually an excerpt from a larger documentary on Madeline Kahn, scene specific audio commentaries, the original television pilot for the television series that was supposed to be based on the film but never materialized, stills and a theatrical trailer. Warner Home Video has done a very, VERY nice job on this disc. It's a pleasure to have Mel Brook's insulting satire back where it belongs!
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