It was a stroke of genius by MGM to decide to remake as a musical it's earlier 1940 classic "The Shop Around the Corner" which starred James Stewart and another highly strung female performer in Margaret Sullavan. The results here are almost as effective as in the earlier film and Garland and Van Johnson make a delightful screen team. Based on the play "The Shop Around the Corner ", by Miklos Laszlo, the action this time has been moved from present day Budapest to turn of the century Chicago. Indeed this beautiful film bares a strong resemblance to Garland's earlier classic "Meet Me in St. Louis",and here the atmosphere is just as rich where the action centres around Oberkugen's Music Store run by the memorable Otto Oberkugan (S.Z.Sakall), and his colourful group of employees in the store. Chief among them is Andrew Larkin (Van Johnson) who is a promising store clerk. Andrew however has a very prickly relationship with new employee Veronica Fisher (Garland)and both seem to always find something to disagree about. However what both dont realise is that the romances they are respectively enjoying via the mail out of work hours and which have progressed from "intellectual topics" to real love, are actually with each other! As the pen pal letter exchange deepens into love it is agreed that the two will meet. Andrew however sees Veronica already waiting in the restaurant and in his disappointment decides not to go in. Thinking about it longer and realising Veronica is his pen pal Andrew decides to give her a hard time about it and in a funny situation enters the restaurant and engages her in conversation much to Veronica's consternation as she believes her "date", will be due to turn up at any minute. Back at the store however things slowly begin to thaw between the two and when Andrew gets into deep trouble with Mr. Oberkugan for lending his prize violin to friend Louise (Marcia Van Dyke), for an audition he finds himself fired. The staff rally around him and its up to Otto's long suffering secretary Nellie (Spring Byington)and Veronica to make him see the error of his ways. Otto relents for his behaviour and Andrew is made the new manager however Veronica decides she must be the one to leave and its only during a romantic interlude alone in the darkened shop on Christmas Eve that Andrew reveals his real love for her. Veronica also confesses her deep love for her former antagonist and the scene cuts away to the couple in a warm summer setting happily married and with a beautiful young two year old daughter (Liza Minneli).

"In The Good Old Summertime", boasts many memorable musical numbers including the title song, "I Don't Care", "Put Your Arms Around Me Honey", the comical "Play The Barbershop Chord", and my personal favourite "Merry Christmas". In all of these numbers apart from her beautiful singing style Judy Garland proves what an exceptional talent she was in comedy, pantomine and more energic pieces such as the barbershop number. Here is a talented actress in the full bloom of her capabilities who was unfortunately just about to exit the musical movie stage for quite some time. The supporting cast is exceptional with such fine comic talents as S.Z. Sakall and Spring Byington providing the top level support that they delivered in film after film in this period. Some rarities also pop up in "In The Good Old Summertime", as we see veteran Buster Keaton play Otto's brow beaten nephew to fine effect in his last MGM appearance and in the final scene reality and movie fantasy cross as Judy Garland's real life daughter Liza Minnelli plays her and Johnson's movie child in the last scene. Silent star Anna Q. Nilsson also has a small part as a woman buying one of the infuriating harps that reoccur in the story. MGM talent is abundantly on show in all departments here. The director Robert Z. Leonard who helmed the classic "Maytime", for MGM, was only brought in after Garland nixed plans by the studio to give the assignment to her husband Vincente Minnelli as the pair were having difficulties at the time. The choreography is top rate and was handled by Robert Alton who was responsible for the innovative dance numbers in Garland's previous film "Easter Parade". Cedric Gibbons' fine work in set design also deserves mention for giving the film its beautiful appearance and period flavour.

After this effort Judy Garland sadly went into a steep decline health wise and after completing only one more film "Summer Stock", and being released from an aborted attempt to film "Royal Wedding ", with Fred Astaire her MGM contract was terminated. None of this sadness is evident in "In The Good Old Summertime", thankfully and what we have here is a movie with gorgeous technicolour, many fine musical numbers delivered by Garland and a funny, and touching story set against a beautiful "MGM", Christmas. Enjoy Judy Garland at the top of her talents in MGM's "In The Good Old Summertime".